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Flapierre Flapierre

Chapter Index — MMXXIV

The Collection

Four chapters. Eighty-one numbered pieces. Each batch capped at two hundred — no design released more than once in a season.

I. BagsII. JournalsIII. Travel GoodsIV. Small Leather

Begin at Chapter I
An atelier bench with folded Tuscan hides, a single saddle-stitching awl, and a linen cloth.

Chapter I

Bags

Cut from a single lot of vegetable-tanned Tuscan hide, saddle-stitched at seven stitches per inch in waxed Fil au Chinois linen — every bag passes through one bench from cut to final burnish.

A master artisan at her bench, hand-burnishing the edge of a tote.

Bench Note — 14 hours

Each piece in this chapter consumes fourteen hours of bench time on average. The handles are turned, edged, and saddle-stitched by the same artisan whose initials will sit inside the lining. There is no production line. There is one bench, one maker, one piece at a time.

Hide lot: Tuscan Vacchetta, 2024 autumn. Stitches per inch: 7. Pieces in chapter: 3 of an edition of 200.

Chapter II

Journals

Two hundred and one hundred and fifty GSM cotton paper, edge-burnished in three coats of beeswax, bound in vegetable-tanned Tuscan hide. Each journal carries the maker's monogram heat-stamped on the inside back lining.

  • The Correspondent journal in cognac, opened.

    Maker — Marta L., 26 years at the bench

    The Correspondent

    No. 009 / Ed. 150

    € 420

    A4, 192 pages of 201 GSM cotton. Edge-burnished by hand. Stamped with M. L. inside the back lining.

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  • The Pocket Repertoire in ink.

    Maker — António R., 31 years at the bench

    Pocket Repertoire

    No. 033 / Ed. 200

    € 280

    B6, 128 pages of 150 GSM cotton. Bound and burnished by a single hand. Stamped with A. R. inside.

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Provenance

On the batch of two hundred.

Every Flapierre piece is hand-finished end-to-end by one named artisan, whose monogram is heat-stamped inside the lining. Each design is released in a single batch of two hundred or fewer, and every numbered piece is traceable — to the artisan, to the bench, and to the hide lot — in our public craft archive, opened in 2019 and the first of its kind in the trade.

We have not changed this practice since 1998. We do not intend to. A piece that takes fourteen hours of handwork and arrives with one maker's initials deserves the same scrutiny in its second decade as in its first — and that is why we operate a lifetime restoration programme, returning any Flapierre piece, regardless of age, to its original artisan for repair at cost. The archive makes that promise auditable.

— Flapierre Atelier Lda., Porto, since 1998

Chapters III & IV

Travel & Small Leather

Vegetable-tanned at the consortium we have worked with since 1998. Edge-burnished, saddle-stitched, and gift-boxed in unbleached cotton. The pieces that round out a considered wardrobe — and typically close the basket.

The Considered Acquisition

Place a piece on hold with the atelier.

No one-click checkout. We hold a piece against your name for seventy-two hours while we confirm the maker's bench, post a hand-written provenance card, and arrange tracked shipment in a reusable cotton dust bag.

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